You should also consider choosing an LED light with a high Colour Rendering Index (CRI) value – 95 is the golden number here, with anything lower negatively affecting how the colours appear in your images. When choosing an LED light, make sure that you can set the colour temperature to around 5,600K (Kelvin), meaning that the warmth of the light will match the ambience of natural day light. If you're short on space or want something a little more straightforward, desktop LED lights are a great alternative. Mounting a large softbox diffuser on a remotely positioned Speedlite can deliver excellent results. It's far better to use either a Speedlite flashgun, such as the Canon Speedlite 430EX III-RT, which delivers a light output with a colour temperature similar to daylight and won't impact the white balance. This is because the colour temperatures of the two light sources will be different – the light from the desk lamp will be more yellow than natural light, making it harder to get the white balance correct in the final image. While it can be tempting to use something like a desk lamp to help light your product, it's best to avoid doing this. In some cases, you may want to bring in artificial light. If youre having a product shoot indoors, place your backdrop and shooting table close to a window that gets a lot of natural sunlight, and if the light is too. Use Canon consumables to ensure optimum performance and superb quality with every print.
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